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Esther, cyanotype creator šŸ‡«šŸ‡·

Discover the portraits made by Esther

Esther's Happy Life

Esther was born and raised in Cologne in 1979. Thanks to the influence of her mother, she came into contact with art at an early age; the walls of their apartment were filled with the “modern masters” (Miro, Klee, Klimt) which she imitated perfectly. Enthusiasm took over and, in school, she chose art as an elective subject. She deepened her passion by studying art in Siegen, specializing in photography and painting. It was there that she had her first contact with the cyanotype technique.

Love brought her to France, where she lives near Paris with her happy funky family, her two daughters and her husband. She teaches German literature in an international school and does a lot of art.

In addition to cyanotypes, she enjoys experimenting with materials like construction mortar and color pigments in paint. Besides art, what connects her to the happy funky sisters is a love of travel and the fact that she also has an awesome sister who lives in Germany.

Esther's Happy STYLE

The cyanotype is one of the oldest photographic processes, invented in 1842. Esther created blue photographic images by preparing a yellowish solution of ammoniacal iron citrate, potassium ferricyanide (red prussiate) which she then applied to paper. To do this, she often uses large paintbrushes to create a gestural line. The paper must be primed in a darkroom, as the solution becomes sensitive to light as it dries. She then exposes the prepared media in direct contact with a negative.

Cyanotypes can then be developed by exposure to sunlight, which is of course fascinating in summer. Most of the time, however, she uses UV lamps, as the exposure times are more precise to calculate. The development of the pictures takes place in a water bath: It is always a magic moment for her when the Berlin blue portraits suddenly crystallize from the colored surfaces darkened by the exposure.

Why we LOVE Esther

We discovered the cyanotype thanks to Esther. We like the principle of using old techniques to make modern and original portraits.

The lovers of very similar portraits will be delighted because the original photo is the main support of the portrait but Esther modifies completely the rendering with this incredible technique which gives a deep blue, mysterious and very poetic rendering.

The Happy Funky PORTRAIT of Esther

ā™„ Do you remember your first aesthetic shock?
When I noticed my mother’s paintings hanging in the museum, it took me a little longer as a child to understand how they got there and that someone else had painted them. I was a little shocked at first. Today, my mother paints her own beautiful pictures.

Another aesthetic shock that I remember well, but I was already older, was when I was lying on the floor in the turbine hall of the Modern Tate in London and was looking with many other people at the giant installed sun of Olafur Eliasson’s “weather project”. Mirrors were attached to the ceiling of the gigantic hall, so that one could observe simultaneously one’s own perception process and the behavior of others. Quite impressive! And just then, a parade of about 100 Santas entered. I had to make up my mind aesthetically.

ā™„ The artist you would like to meet? What would you say to her?
Cindy Sherman. It’s amazing how she creates, for example in her “film stills,” portraits composed in minute detail and how she manages to create stereotypes that make the viewer swear they’ve seen the film she’s staging. I would like to know more about the identity of a woman who manages to slip so precisely into roles and to challenge clichĆ©s.

ā™„ What is your favorite color? What does it inspire you?
Drum roll …. TATATATA: “Berlinblau” the blue of Berlin! (surprise). I also really like lemon yellow and mint green. But of course, the context is important. I would not like to have a lemon yellow car.

ā™„ Which museum gives you the greatest emotion? Why?
I think the Tate St Ives in Cornwall is beautiful. It’s small but great and the location is amazing with a view of the sea.

ā™„ What piece of art would you buy without hesitation if you had an unlimited budget?
I would ask Chiharu Shiota to decorate a room in my house. I find her installations so poetic, the way she weaves filigree webs through space and around objects from simple wool, and the way she creates such strong emotions and meanings in such a simple way.

But if I really had an unlimited budget, I would of course hit it even harder. I would definitely have to add a large Rothko. And since I’m on a shopping spree, I’d also like to have Polke’s “Apparition of the Virgin”!

ā™„ In which city do you feel happiest? Why or why not? Share your 3 favorite addresses.
Viry-Chatillon (daily happiness)

Cologne (happiness to be at home)

Fontainebleau (happiness at work)

Peratallada (vacation happiness), a small medieval Spanish town, without cars, on the Costa Brava, where an old 24 Kodak color camera would never have been enough, because you have to stop every two meters to take postcard pictures. This is where I’ve been starting my summer vacations for years, in what I consider probably the most beautiful vacation home in the world, whose address I unfortunately can’t reveal, otherwise it will be booked later. But the restaurant El Pati is a good tip.

ā™„ What book keeps you up all night?
A book that I actually stayed up half the night for is, for example, “The God of Small Things” by Arundhati Roy. Every sentence is so full of images that it’s impossible to sleep.

ā™„ What are your biggest sources of inspiration?
The best inspirations always come to me when I’m jogging around the lake.

ā™„ What’s the funkiest thing you’ve done in your life?
Oh boy. There are probably several stories. But night plankton diving in a remote bay on Koh Rong Sanloem Island in Cambodia with my husband was pretty funky; a kind of drug-free intoxication. And the light show continued on the beach, there we were surrounded by fireflies.

ā™„ What is your definition of happiness?
I have a big candy jar in which we collect the happiest moments throughout the year and review them on New Year’s Eve. On the last few newsletters, there were:

-crocodile game in the wading pool with the whole family

-chain ride with my oldest friend

-horseback riding on the beach in Normandy

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